Amelia Andersdotter - Konst

The Creative Commons and Open Movies in the European Parliament

Ulf Pettersson — Fri, 16 Nov 2012 16:17:18 +0000

Language English

The Creative Commons is a great initiative with the aim of making it easier to spread culture with the help of permissive copyright licenses that everyone can use. Millions of people, organizations and companies have chosen to publish their creations with one of these pro-freedom licenses.

One of the most interesting CC-creators is the Blender Foundation who produces both a 3D-graphics suite, Blender, as well as a number of great short movies that have been created with it. The software is open source and all of the movies have been released under Creative Commons licenses.

Amelia thought it would be a good idea to introduce the Creative Commons to the parliament by showing some CC-licensed, open movies. So this Wednesday, November 14, our office organized a quite unique and interesting event here in the European Parliament: a showcase of the Creative Commons with a screening of three open movies by the Blender Foundation. Legal scholar Andres Guadamuz came to speak about the Creative Commons. Ton Roosendaal director of the Blender Foundation described their work and introduced the movies. We screened three movies by the Blender Foundation:

Big Buck Bunny (2008) [website]:

http://www.youtube.com/watch?v=YE7VzlLtp-4&feature=relmfu

Sintel (2010) [website]:

http://www.youtube.com/watch?v=eRsGyueVLvQ

Tears of Steel (2012) [website]:

http://www.youtube.com/watch?v=R6MlUcmOul8

Not only can these excellent shorts be freely shared, modified and distributed over the net, the entire production material is also available under Creative Commons licenses.

Those Russians...

Amelia Andersdotter — Wed, 20 Apr 2011 11:39:35 +0000

Language Swedish

I'm reading the book The Rasputin File by Edvard Radzinsky, this mythical man made eternal by Boney M and the October Revolution.

Apparently it's the "remarkable biography of the mystical monk and bizarre philanderer whose role in the demise of the [last of the] Romanov [tsars]" whose blessings of the only son of Tsarina Alexandra Fyodorovna of Hesse led him into a power position where "in all affairs of state he was the man to please".

Edvard Radzinsky does give a more nuanced picture. He points to Tsarina Alix's will to believe, her subsequent joining a monastery together with her daughters, and how not only Grigory Rasputin but also people around her manipulated her and her powerful position by, well, essentially sucking up.

Of course, Grigory Rasputin's role in the demise of the Russian Tsar's Autocracy seems marginal in comparison with the Russian 1905 Uprising which scared the Tsar into signing a new constitution, essentially giving up the autocratic Russian rule against the will of the Orthodox Church and the Tsarina (which is weird since the Tsarina had a "distaste for Russian culture, whether it was the food or the manner of dancing").

Grigory Rasputin did make a big fuss about being treated well in the Russian Court at a time where the Russian Court was intensely disliked by everyone who was in or around it. Aristocrats are probably by nature conspiring and petty individuals, ref. the murder of Erik XIV or the Grand Vizier of Aladdin, Jafar, and especially in a time of turmoil, like vultures they immediately fly over the assets they believe they can pillage from the crumbling houses of wealth (for example bank bosses unless there is a public outcry and threats of a customer boycott of the bailed-out bank.). But he was also from a poor farmer's village and family. Poor farmers do not make outcries and apart from in the Duma the tsar wasn't actually much disliked, just a rather distant character who didn't affect them much. Father Grigory's comrades in religious arms, Russian Orthodox Bishops, have outfits like the one on the left. A by no means luxurious or particularly note-worthy outfit. On the contrary, quite humble and en par with the wealth of the population at large. At the time, Russian farmers lived in inland, sub-arctic climate without central heating (for reference, Belgium has coastal climate with central heating and it's still pretty cold here in the winter).

When Grigory Rasputin came to Moscow he made attempts at writing down his thoughts and teachings. Edvard Radzinsky points out several times that he was only semi-literature and that his hand-writing was wretched. Wretched is a word I would normally associate with old crones and I realise I am stingy about this but he was aspiring to be a cultural man of literacy and handwriting and has been villified for trying to remain in a position and environment where he had the opportunities to achieve as much. Because on the Russian countryside, in the beginning of the 20th century, this was not a luxury awarded to farmers. And there was absolutely no way in which Grigory Rasputin could have figured the Bolsheviks would have made education compulsory only 15-20 years later, and even then he would have been well into his 50s and older people don't get educated since apparently you can't teach old dogs how to sit.

I wouldn't make any claims as to his handwriting being particularly aesthetic, or his poetic skills particularly refined, but it's unfair to call it wretched, and it's unfair to not appreciate that aspiration. Regardless of his assumed sectism (which may or may not have been inspired by the khlysts: "They believed in a possibility of direct communication with the Holy Spirit and of His embodiment in living people [and] practiced the attainment of divine grace for sin in ecstatic rituals" apparently reasoning that forgiveness can't be sought by the virtuous, and forgiveness and repentence is that which marks a true believer) I cannot help but sympathise. The Russians were converted to a Christian belief when the powers that be decided it would be convenient, and Khlystian secterism is one aspect of defiance against forced conversions. For other forced conversions, read about Hernán Cortés, this grateful, Christian saviour of Aztecs who in his quest for their moral salvation was very sałvage, or, and I hate to bring up the dark past of the Crusades but there I did.

Anyway, deep down we all want to believe in sinning.

Of course, you can see it in his photos the intensity of his eyes, these alluring, hypnotic eyes that so intrigued the ladies in a way we would never want to achieve in the 21st century by means of L'Oreal Mascara Triple Brush. .

I am a post-mortem converted follower. I think he is treated unfair by historians, he was mocked for his cultural aspirations by the aristocracy of Moscow who saw him as naught but a quaint, religious wanderer, he is still mocked by historians and artists and is considered to have cause the demise of an aristocracy that was already crumbling under itself and an insane Tsarina. GOOD ON YOU, HISTORIANS.

Med gymnastiken i minnet

Amelia Andersdotter — Tue, 22 Mar 2011 01:18:43 +0000

Language Swedish

Och sen säger dom att sport inte hör ihop med politik...

--Michael Wiehe

Nikolaj Andrianov, 1976

Gymnasten Nikolaj Andrianov har efter en lång tids sjukdom avlidit. Han kommer att minnas som en av de mest prisbelönta gymnasterna genom historien och under åren 1971-1980 kom han att erövra sju guldmedaljer, fem silvermedaljer och tre bronsmedaljer bara i olympiska spel. Totalt fick han under sin karriär inte mindre än 45 utmärkelser. Gott sällskap hade han under 1970-talet av rumänskan Nadia Comănecis perfekta tia som ändock inte lyckades nå upp till samma nivå i mått av medaljer som sin ryska medgymnast Larisa Latynina (18 medaljer).

Nadia Comăneci, 1976

Shawn Johnson, 2008

Närmare i tiden ligger det kinesiska herrlagets totala dominans under OS i Beijing 2008. De kunde gå av arenan med inte mindre än 7 guldmedaljer av totalt åtta tillgängliga och från alla grenar utom hopp. Beijing 2008 var de första olympiska spel som graderades efter den nya 15-poängiga skalan. Om man tidigare fått betyg uppåt beroende på utförande, utgår 15-poängssystemet ifrån en grundsvårighet som ger någon poäng mellan ett och femton, och sedan drar domarna av poäng för varje miss i rutinen de tycker sig se hos gymnasten. På damsidan blev Shawn Johnson alla grenars ständiga silvermedaljör, men med ett gott leende och fantastisk akrobatik (!!) kammade hon hem guld på bom. Tydligen ska man försöka införa högre krav på det artistiska framförande snarare än det akrobatiska till nästa OS, vilket jag i och för sig inte tycker är någon särskilt bra idé.

Cătălina Ponor, 2004

Det något kantiga framförandet på bom av Cătălina Ponor under OS i Athen 2004, som då gav henne guldmedalj, är enligt mig det mest stilrena framförandet jag någonsin sett och förmodligen blir det också det mest stilrena jag någonsin kommer se. Krav på artistiska framförande ger smala och små (med undantag långa) gymnaster med överrörliga leder. Shawn Johnson och Cătălina Ponor är i jämförelse rätt kraftfulla vilket man ju också ser på dem. Egentligen är bilder nog inte det bästa sättet att representera gymnastik, så jag har letat upp lite YouTube-videos med gymnasterna nämnda ovan.

Nikolaj Andrianov, fristående

Vissa kommer säkert lägga märke till att jag verkar ha en förkärlek till både rumänska gymnaster och damgrenen bom.